What do 22,000 audience members really think about DEI in the arts? This post unpacks new research from WolfBrown—and what it means for values, programming, and who shows up.
This week is a Research Roundup, where I’ll write posts about recent research I’ve read. Today is an article about Oregon Shakespeare Festival and the transition to and out of leadership of Nataki Garrett.
I recommend reading Philanthropy in America by Oliver Zunz to understand the recent history of fundraising in the United States.
Cluttered language makes fundraising harder. Donors need to know what the problem you’re solving is, and how you intend to do it. That’s it.
We all anticipate the annual Giving USA report each June. Here are a few observations from the 2024 report, and the big question for 2025.
July 1 is the start of a new fiscal year for nonprofits. The driving goal for the end of the year is avoiding a deficit. But pressure to avoid a deficit actually dissuades nonprofits from needed investment.
With government, foundation, and corporate funding uncertain in the current government upheaval, economic uncertainty, and culture wars, individual fundraising is where nonprofits should put their efforts. That requires a tight board-staff working relationship. It’s not easy, but it’s worth it.
A brass band shuts down the Proud Boys and a poignant moment from Schitt’s Creek. More political action through the arts.
For the final post in my series on arts and political action, I turn to the audience—the ones who show up, feel deeply, and help keep the arts actually have impact.
Puppets shaped my understanding of art and activism. From childhood awe to powerful political storytelling, this post reflects on their lasting impact—and the joyful, radical work of Paperhand Puppet Project.
Hannah Grannemann 