Trump at Kennedy Center: Booed AND Cheered
We’re in a culture war, but let’s take it as an opportunity to listen to different views of the place of arts in society from people who are operating in good faith.
We’re in a culture war, but let’s take it as an opportunity to listen to different views of the place of arts in society from people who are operating in good faith.
The arts have been caught on their heels when digital marketing changed. Don’t let that happen to you as AI search eclipses regular search.
Why did Opera Philadelphia’s $11 ticket initiative work so well? It tapped into the elusive “latent demand” by welcoming new audiences, and signaling that everyone truly belongs at the opera. These results shouldn’t surprise us, based on what we already know about arts audiences.
I reflect on how TV broadcasts and streaming make theater more accessible—from the Tony Awards to Great Performances—and why I’m passionate about sharing the arts with everyone.
This bonus post in the Executive Director leadership series reflects on shifting from ‘Field of Dreams’ to ‘Touch Grass’ leadership—embracing resilience, focus, and creativity in an uncertain time.
This final post in the ArtsCore series explores how true partnerships are built through listening, trust, and respect—essential for Executive Directors looking to grow sustainable relationships.
This third post in my series explores why Executive Directors can’t—and shouldn’t—do it all alone, and how sharing leadership can strengthen both your organization and your well-being.
Part 2 of the series on the job of the Executive Director of arts organizations: a framework for prioritizing.
First in a four-part series about the job of the Executive Director in arts organizations.
The NEA has been doing more than just awarding grants. They’ve been making the arts more important to more people. We have to do it on our own now.